200 render credits a month
At up to high quality and up to 3840 × 2160 px. The same meter a paying subscriber gets, billed to us instead of to you.

Creator partnerships
Founding Partners: 10 of 10 slots open
We work with visual creators on apparel-first collections and public experiments. A concrete project beats a follower count, and the bar is published below rather than implied. You get an answer either way, within 5 business days.
01 // Who this is for
Applying takes about an hour of your time, so here is what we read for before you spend it. Any audience size. We read the work, not the follower count, and the venue matters only because a dead one means nobody sees the collection.
Nothing below is scored on taste. It is scored on whether the work is public, prints flat, and comes with a plan specific enough to review.
20 or more public pieces
A portfolio anyone can open, with a visual identity that carries across it.
Work that prints flat
Illustration and graphic work map onto a garment. Photographic and 3D-heavy work rarely does.
A named series with a cadence
Four designs a cycle or better. A 12-piece capsule, three a week for four weeks, is the right shape.
A venue with posts in the last 60 days
Any follower count. We score whether the venue is alive, not how big it is.
Ideally a Bazaar account
Having generated or claimed something already helps. It is not required to apply.
No working contact method
We cannot reply, so we cannot review it.
02 // What you get
Partners get the same terms as everyone else, without the $19 a month. There is no partner tier, no bespoke rate and no second currency, which is the point: every number below is the published one.
At up to high quality and up to 3840 × 2160 px. The same meter a paying subscriber gets, billed to us instead of to you.
The maker’s share is 80% on the free plan and 95% on Brand Studio. A published rate, not a negotiated one, and the same rate a partner gets.
Earnings land as a ledger entry on the same payout path as every other creator. That path is not built yet, so nothing pays out today and we would rather say so here than at signature.
A claim assigns you the commercial licence and the copyright. Sell it, license it on, take it elsewhere. We keep a display licence so the marketplace can show it, and nothing more. That stays true after a partnership ends.
Themed, with collections and a vanity subdomain. One public page you can send people to.
Orders are produced and shipped on real garments. What a buyer receives is the thing, not a render of it.
03 // What you owe
A cycle is 30 days, counted from your own onboarding date. The four-design floor is not an activity target. It is the number that keeps enough work live for one claim a cycle to be plausible at all.
| What | Floor |
|---|---|
| Designs listed, claimable rather than draft | 4 per cycle |
| A collection published | 1 in your first cycle |
| A public mention linking to your storefront | 1 per cycle |
| Your storefront stays public | Continuous |
04 // Shapes
01
A focused project
A collection, a recurring format or a teaching series. The strongest proposals name what gets made and why it belongs on apparel.
02
Production support
An onboarding call, then help with prompts, listing and print setup while the project runs. Scope is agreed before anything starts.
03
We credit the work and link the shop
Featured work carries the creator's name and points at the live collection. A partner does not become anonymous campaign material.
05 // In public
06 // After you send it
You get a copy, with a reference number
The receipt lands in your inbox carrying the ticket id, so you have your own record of what you sent.
A person reads it and replies within 5 business days
Not a queue and not an auto-responder. If we are slow, the reference number is what to chase us with.
If it is a yes, the terms come in writing first
The obligations, the entitlement grant and your first cycle's due date, all agreed before any work starts.
If it is a no, you get the reason
One of four: the portfolio is not public enough, the apparel fit is unclear, the proposal is too vague, or the cohort is full.
If the no is the cohort being full, that is a different no
Three of those reasons are about the work and one is about our calendar. You deserve to know which you got, so we say.
07 // Apply
The project is the one field that matters, and it is the one we read first. Everything else takes a minute.
08 // Questions
No. The handle field is optional and an application is complete without it. Having an account helps, because work you have already generated or claimed is something we can look at.
No. The comped grant puts you on the published Creator Pro rate of 90%. There are three rates on the platform and those are the three rates.
No. Sell the same work anywhere else you like, during the partnership and after it. Nothing here asks you to stop.
Your work stays yours. The comped entitlement reverts to whatever tier you actually pay for, and the storefront, the listed designs and the royalty history are untouched. Ownership of a design is permanent and has nothing to do with partner status.
You go on the waitlist and we tell you that is what happened, rather than sending a rejection dressed up as a review. A slot opens when a partner offboards or a cycle ends without renewal.
A portfolio built on characters you do not own
This is a print-fulfilment problem before it is a taste problem. Trademarked work cannot be produced.
A request for payment, a sales guarantee or a custom royalty rate
Those are not terms we offer anybody, so they are not terms we can offer you.
No open slot
A capacity no, not a quality one. There are 10 slots and they fill. You go on the waitlist and we say so plainly.
Work we run on the bazaar wall or our own channels is credited and linked to your storefront. The pilot cohort also gets an onboarding call and async help with prompts and print setup while the project runs.